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Combining a deep respect for cultural heritage with a passion for social issues, WSU Art Curator, Zukisa Madyibi, presents a series of artworks that highlight the beauty of human connections.
Madyibi also guards a 3000-piece Joan Broaster Beadwork collection and Professor Masilo Lamla’s research which hold a rich history in the interconnectedness of the Nguni tribe and the province of the Eastern Cape.
However, Madyibi extends his love for art to his spare time, carving some of the most unique landscape and portrait abstract pieces that are inspired by his community of birth, eMaqhinebeni in Mthatha.
“My early experiences with art began in my adolescence when I was exposed to the works of Khaya Qotyana, a member of my community. This exposure sparked a deep appreciation for the meticulous work involved in creating art using various mediums such as charcoal, paint, pencil, and woodcuts,” said Madyibi.
One of his most expressive pieces, titled: “Ukhwatsha wamaBhele” is an example of one of his linocut pieces, which he described as a printmaking technique known
Sakhwatsha is an ordinary elderly gentleman who goes about his business quietly, dedicating his time to looking after livestock, however, beyond his practical abilities he is a fountain of knowledge concerning the life and genealogy,” said Madyibi.
He added, “His wisdom and understanding of his heritage makes him a respected and invaluable figure in his community, preserving the rich history and traditions of his people.”
Meanwhile, one of his colourful pieces, titled "Sidl’imbadu” showcases a triptych technique (carving in three panels side by side) of a tranquil watercolor rural landscape.
“My art expresses my perspectives on cultural continuity, adaptation, and innovation. Overall, my artwork reflects my journey as both an artist and curator, embodying the rich tapestry of experiences, knowledge, and perspectives that define my professional and personal life.”
Madyibi’s work has seen the international stage, exhibiting in both the annual International Prints for Peace in Mexico and the Sasol Signature’s Art Competition.
According to the artist, his continued curation of the “Specifically Declared Collection” of WSU continues to inspire his passion to preserve knowledge through art within the university and his community.
“Creating art is a vital outlet for my expression and creativity, providing balance to the academic and administrative aspects of my curatorial role. It keeps my passion for art alive and vibrant, ensuring that my professional endeavours are infused with genuine enthusiasm and a personal touch.”
By Ongezwa Sigodi
